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The K's in Leeds

The K's
Brudenell Social Club, Leeds
Wednesday 18th May 2022, £12.00

Welcome to the world of The Ks. If youre familiar with one of the biggest underground success stories in rock & roll, make yourself at home. If you havent encountered their impassioned bangers, catch up: these four young men are a word-of-mouth phenomenon thats rapidly becoming too huge to ignore. The Ks have sold out the 1,500-capacity Manchester Ritz and will headline the 2,300-capacity Academy in the city on their next tour. Theyve caused the tent to be closed at Kendal Calling, with hundreds locked out trying to join the 2,000 fans within. Their streams are comfortably in the millions. Not bad for a band whove only released four songs on streaming and have swerved the attentions of the mainstream music press. On the surface, the appeal of The Ks seems simple: embodying the relatable frustrations of everyday Britain and its zero hours economy, yearning for a better life in escapist anthems like epic next single Landmines and breakthrough tune Glass Towns. But if creating timeless thrills really was so simple, other bands would rack up so many streams and routinely sell out tours, thanks to the frenzied fan community the band has nurtured. Their gigs are a guaranteed riot, but that shouldnt overlook the sophistication that gives The Ks the immediately identifiable blueprint all special bands soon develop. Debut single Sarajevo is one of the few rock & roll songs to namecheck Austro-Hungary, notching up over 1.5 million streams in the process.

As singer/guitarist Jamie Boyle puts it: Weve crafted our own sound. Even if Im not singing, youll know its a Ks song. We want to leave a legacy, to be more than just a band. Ive seen it with my dads love of The Jam, where it becomes a lifestyle for people. We want to be so much more than just listening to the music its developing so that everyone is united, in a room with a thousand other people who share a common interest, all having a mint time. Thats what The Ks are about. Jamie and bassist Dexter Baker have been friends since school in Earlestown, the Merseyside suburb halfway between Liverpool and Manchester. (I still dont know if Ive got the best or worst of both worlds growing up in between them, notes Jamie.) Jamies dad taught him guitar when he was 14 and Ive played every single day since, without fail. Dexter and Jamies friendship shows in their on-stage chemistry, neatly summarised by the singer: Not only is Dexter a class player, he brings the laughs. The Ks began in earnest when Jamie met Ryan Breslin, whod already shared stages with huge bands including The Who, The Killers and Aerosmith as a session guitarist in his older brothers band Slydigs. Although Ryan was living the dream of enjoying one big piss-up while playing arenas and the biggest stages around the world, he wanted to seek out his own creative outlet. The missing piece was Jordan Holden, a dream drummer equal parts John Bonham powerhouse and Reni fluidity. Jord smashed it at the audition, nailing four tracks wed only played once to him, recalls Ryan. We had nine other drummers due to audition that day, but there was no point seeing anyone else. As soon as Jord played, we were. How has he just done that?

The signs were there straight away that The Ks were special. Not only did they quickly sell out their first gig, at Manchester new talent hub Jimmys, but the show was so wild that fans tore its ceiling. The intensity has only grown since, spreading thanks to sensational festival sets at Exit in Serbia and Croatias INmusic as well as headlining a rammed tour organised by influential new talent club network This Feeling. Playing live is the best high in the world, smiles Jamie. Im buzzing every time, and I must look weird on stage as Im laughing so much. Weve got a respectable following in every city now, so each night on tour is nuts. Its as if someone has rounded up a few hundred of the biggest maniacs in each city, who go to watch our band together and get buzzing. That response gets us going on stage too. Jamies laughing as he describes the mayhem of a typical The Ks gig, but its a well-earned passion that has been able to develop out of the spotlight. However big The Ks get, it wont have come about from hype. The band are level-headed about smashing it to the fans rather than courting journalists, as Jamie explains: Weve been able to have time working in the shadows to develop. I dont want to sound disrespectful, but some bands explode out of nowhere and theres nothing to identify with. You dont think ?Oh, great, that must be them!? when you hear their songs. Instead, The Ks have worked at jobs from strawberry picking to warehouse nightshifts to help fund their dream. Jamie recalls: Ive been a labourer. Id lug blocks around all day, then play to thousands of people at Neighbourhood Weekender, thinking; how do you make this work in the modern-day music scene. I think all bands should have to do it, though. You can tell if a band is pushed straight into it, because their tunes dont reflect normal life. The ridiculously catchy Landmines was inspired by teenage life in Earlestown, as Jamie remembers, Having to wait around outside an off-licence until someone would buy your beer, then going to get wasted over the park, trying not to get twatted by the older lads while you?re doing it. Ryan adds: Landmines relates to so many kids lives. Well, it does around here, anyway.

The songs rich lyricism of everyday life continue the tradition of Ray Davies, Paul Weller, Squeeze, Oasis and The Libertines, though the sharp Sarajevo was inspired by a book on World War I Jamie read when I was bored, as a free book on my mums iPad. Initially, the singer would take the skeleton of a song in for the band to develop, but The Ks is increasingly a songwriting democracy, with Dexters loves from Talking Heads to Quincy Jones and Jordans art-rock tastes coming into play. The shimmering Aurora incorporates about 20 ideas and develops them into one huge anthem, while Ryans gigantic ballad Over My Head was an instant smash when it was boldly debuted at Manchester Ritz. Its great that we can strip it back and still kill it, enthuses Jamie. He admits his music taste is often about how good the frontman is, while Ryan is the bands classic rock & roll addict, a Keith Richards devotee also into Chuck Berry. It shows in their offstage personalities too, with the laidback and laconic Ryan a foil to Jamies excitable enthusiasm.

Landmines will be produced by Chris Taylor, the in-house producer at Liverpools famed Parr Street Studio, who has worked with Blossoms, Miles Kane and The Coral as well as overseeing fellow new talent including Red Rum Club, The Lathums and Jamie Webster. We work best when the atmosphere is relaxed, Ryan explains. Were open to. Why not try this, of course, but if anyone tries to order us into something, they get told to do one, every time. Being forced into something is when you hit a brick wall. Jamie admits: Before, we hadnt been 100% happy with what weve done in the studio. It was trial and error, and weve had chance to develop in the studio too. The apostrophe in their name the only dubious aspect of such a phenomenal band. Initially named The Kaleidoscopes after their local record shop, they quickly shortened it to The Ks, adding the apostrophe as theres another The Ks on Spotify. Some people hate the name, but loads of people love how basic and to the point it is, based around one letter. Ryan adds: Some great bands like Foo Fighters and Arctic Monkeys have terrible names. You quickly associate the name with the songs, not the words. For the thousands of fans already immersed in the legacy The Ks are building, the band have quickly become more than the name or even the songs. The Ks already know theyll have to leave some fan favourite songs off their debut album. All the fans are asking; Whens the album, whens the album; laughs Jamie. You cant be a classic band without a classic album, and we;re confident enough not to rush ours. We wont release an album until its right. And the way were writing songs that keep getting better, theres no way were not going to have a second album ready to record by the time weve finished our first.

Its clear The Ks are going to keep growing, a cult sensation ready to blossom in the mainstream. Its an irresistible, irrefutable spirit, welcoming to anyone who wants to escape into a better, more hopeful world. Come on in, just watch out for the landmines.


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