Japanese Breakfast in Leeds
Brudenell Social Club, Leeds
Friday 21st October 2022, £17.60
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From the moment she began writing her new album, Japanese Breakfasts Michelle Zauner knew that she wanted to call it Jubilee. After all, a jubilee is a celebration of the passage of timea festival to usher in the hope of a new era in brilliant technicolor. Zauners first two albums garnered acclaim for the way they grappled with anguish; Psychopomp was written as her mother underwent cancer treatment, while Soft Sounds From Another Planet took the grief she held from her mothers death and used it as a conduit to explore the cosmos. Now, at the start of a new decade, Japanese Breakfast is ready to fight for happiness, an all-too-scarce resource in our seemingly crumbling world.
How does she do it? With a joyful noise. From pulsing walls of synthgaze and piano on Sit, to the nostalgia-laden strings that float through Tactics, Jubilee bursts with the most wide-ranging arrangements of Zauners career. Each song unfurls a new aspect of her artistry: Be Sweet, co-written with Wild Nothings Jack Tatum, is a jagged, propulsive piece of 80s pop thats followed by a sweetly melancholic ballad in Kokomo, IN. As she rides a crest of saxophones and synthesizers through Slide Tackle, a piece of nimble pop-funk run through a New Order lens, Zauner professes her desire to move forward: I want to be goodI want to navigate this hate in my heart somewhere better.
In the years leading up to Jubilee, Zauner also took theory lessons and studied piano in earnest for the first time, in an effort to improve her range as a songwriter: Ive never wanted to rest on any laurels. I wanted to push it as far as it could go, inviting more people in and pushing myself as a composer, a producer, an arranger. She pours that sentiment into the album from the very beginning, weaving a veritable tapestry of sound on the opening track Paprika. To build such an anthem of self-actualization, Zauner maxed out the technical limits of her recording rig, expelling her anxieties and egoism with layers upon layers of triumphant horns and marching snares. Hows it feel to be at the center of magic? To linger in tones and words? she ponders, conjuring the widescreen majesty of Kate Bush. I opened the floodgates and found no water, no current, no river, no rush!
Later, on the kooky, terrifyingly prophetic jam, Savage Good Boy, Zauner reduces the excess of modern capitalism to an emotional level, sarcastically imagining the perspective of a billionaire trying to convince his lover to join him underground as the apocalypse unfolds. I want to make the money until theres no more to be made/And we will be so wealthy, Im absolved from questioning/That all my bad behavior was just a necessary strain/Theyre the stakes in a race to win.
I dont want to weave politics into my music in a way that feels cheap, but I couldn't make something that doesnt comment on the reality we live in, says Zauner. I think that you need to push yourself to care, and thats part of what this album is about: If you want change, in anything, you need to go to war for it.
At the end comes Posing for Cars, one of the longest, most visceral Japanese Breakfast songs to date. In its muted opening, Zauner quietly re-embraces impassioned facets of youthwistful daydreaming, fierce loyaltyatop a bed of slowly-strummed guitars. Those same feelings pour out of her fingertips as she erupts into a cathartic, nearly three-minute-long solo to close out the record, with gradual swells of distortion that evoke the arena-sized guitars of bands like Wilco or Sonic Youth.
Jubilee is an album about processing life and love in the quest for happiness, and how that process sometimes requires us to step outside of ourselves. Savage Good Boy isnt the only time Zauner takes on a persona; On the cavernous masterpiece Posing In Bondage, she imagines a woman left behind in the confines of an empty house, traversing the blurred lines between domesticity and dominance as she sings to an absent lover. Meanwhile, Kokomo, IN was written from the perspective of a small-town Indiana boy, forced to say goodbye to a girlfriend whos shipping off to study abroad. But throughout Jubilee, Zauner is hardly fictionalizing her lyrics, instead pouring her own life into the universe of each song to tell real stories, and allowing those universes, in turn, to fill in the details. Joy, change, evolutionthese things take real time, and real effort. And Japanese Breakfast is here for it.
-- Description provided by We Got Tickets --